SACRAL ARTS AND SKULAR PROBLEM OF SOCIAL DEFINITION IN RELIGIUS LIFE: PERSPECTIVE YEARS OF HINDU'S PEOPLE IN BALI

Sari

Art in the Hindu perspective in Bali have a very basic position, because it can not be
separated from the Hindu community relegius. Ceremony in pretending (holy place) also can
not be separated off from the arts such as singing, dancing, musical, painting, art, and literature.
Temples, temples and the others are built in such a way as an expression of aesthetics, ethics,
and attitudes of the people relegius Hindus in Bali. Pragina or dancers in a spirit of selfless
ngayah or work offered various forms of art as a form of devotion presented to Ida Sang Hyang
Widhi Wasa (God Almighty). In it there is a sense of devotion and dedication as a form of
longing wanted to meet with the source of art itself and the artist wanted to be one with it
because the real art of every human being in this world is the spark of art.
Keywords: Sacral Arts, Skular Problem, Religius Life