THE POWER OF RELIGIUS ERA GLOBAL SOCIETY ON THE ART OF SHOWING IN THE BATUAN VILLAGE
Sari
Habitus society by making art as a medium in religion shows the role of art in relegi is
very important. In a global era characterized by a culture of communication increasingly distances
the distance of human relationships, a growing variety of society choices in performing the
ceremony. Hindu community in Batuan Sukawati Bali became one of the study of this paper
because multi-interpretation of art in ritual life gave birth perspective view of art that is less
suitable and very important art present in the life of ritual society especially Hindu often trapping
the existence of artwork to be blur existence. The issue of artistic presence in ritual activities
does not only affect the ownership of the community about artwork products to exist or
marginalized. In theory Boerdieu sees that such marginalization is not a form of deliberate but
considered a game of power in the global era. With a qualitative approach, this study is more
appropriate because the data collected is more sourced from field data, so in concluding it is
more appropriate to do a qualitative approach, but did not rule out also using a quantitative
approach in the issue of specificity. The findings of this study are expected to be a partisanship
of the global era Batuan society in dealing with the art of Genggong as belonging to the community
in the future able to see the art as a potential that can raise the village of Batuan itself. Besides
saving the art of Genggong is the task of all parties in becoming the cultural identity as the
nation’s identity on a larger scale.
Keywords: Power of the Global Community, Art of Genggong, Batuan Village
Teks Lengkap:
PDFRefbacks
- Saat ini tidak ada refbacks.